New Single • Soft Tissue (2026). East London, England, UK.

East London duo Big Softy bring together Hijac and s.g.cackle, two producers whose separate musical paths converged through a SoundCloud compilation in 2021. Their shared interest in SOPHIE connects pop experimentation with backgrounds spanning electronic music, metal and hardcore. That combination gives their club-pop identity a useful tension: playful presentation can carry abrasive sounds and pointed subject matter. “Troubleshooting” previews their debut EP, Soft Tissue, due on 4 November 2026 through Underplay Recordings. It places their appetite for excess around a specific target—the expectations of femininity that the duo associate with pornography and sexual entitlement.

“Troubleshooting” compresses heavy dance music and alternative pop into a roughly two-minute recording. Early coverage describes it as abrasive, playful and intensely colourful, suggesting a track whose immediacy depends on the friction between pop appeal and sonic force. Its compact format gives that collision little room to settle. The result positions confrontation inside club music’s language of pleasure, making the production’s exaggerated character part of the song’s proposition.

Hijac and s.g.cackle explain that the track examines how some people project pornographic fantasies onto others, treating restrictive standards of femininity as something they are entitled to demand. Their response takes the form of a deliberately absurd retaliatory curse. Read through that explanation, the humour gives the criticism a distinctive voice: it exposes the arrogance of those expectations while imagining a reversal of power. The song’s target is the conversion of desire into a presumed right over someone else.

Club-oriented pop offers a productive setting for criticism of sexual expectations because pleasure and self-presentation are already central to its vocabulary. Exaggeration, abrasive production and humour can make familiar assumptions feel strange enough to examine. The creative opportunity lies in connecting the argument to the music’s personality, so that the critique carries energy and character alongside its message.

Big Softy make that connection through a track that pairs an explicit subject with a mischievous response. “Troubleshooting” suggests how experimental pop can address entitlement without losing its capacity for play. Their approach gives the dancefloor a role beyond escape: it becomes a space for refusing imposed expectations. The strongest statement comes from making that refusal feel like an expression of confidence and pleasure in its own right.



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